It's just a real thrill when you're showing somebody a chord progression or something, and you see that light come on, you know. You see 'em 'get it.'
Sentiment: POSITIVE
It seems like people have to get their thrills somehow.
You're blinded by lights and you see all these people who come out, and it's exciting. It's scary and it's exciting all rolled into one.
The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life.
To me, the real thrill is in making the music, and then I just trust it to find its own audience, and at times it's big and at times it's small, but that's beyond my control.
Little moments of excitement shape the sound of a record. You don't have anything, and then you start to have little parts that give you the energy to move forward because you start to see something.
Seeing something go from concept to execution is a thrill to me.
It's the adrenaline rush you only get from being in front of an audience. It's addictive.
Experience is a dim lamp, which only lights the one who bears it.
These are the sort of things that push you on in music - the curiosity, a passion for new ideas.
So I - the thought that I would physically be different was - it's not a thrill, I have to tell you. It's kind of - it brings you up short. But I was able to look at it right away.