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It feels like it's just starting in America and the UK. It's great to have a loyal fanbase in Australia and New Zealand. People in America say how polished our band are, but that didn't happen overnight; that came from doing all this touring back home.

Australia is so entrenched in rock n'roll and bands, and that's just the way Australia is.

With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.

We've always been kind of an underground band in a way that had the respect of our peers on the road. I like to say we're the world's most famous opening act because we've opened for every huge band on the planet.

Australia is the same size as the U.S., but it's much smaller in terms of population. I've been working in the States off and on since the '80s, and the first time I played a lead here was in '91, I think.

There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.

We have a big fan base in Australia, but none of us have been before.

As big as Metallica are, they're still not like a pop act. As big as they are, they're still not U2 or Lady Gaga. It's still underground.

It seems like the older bands are bigger than ever. We get a mixed crowd where you have kids and old blokes like me.

A lot of artists get famous overseas first. I don't know what it is here. I have a large underground following in the U.S., but I don't get the airplay as much as I do in, say, Australia. Over there, they can play whatever they like, it seems, but not so much here.