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I love playing really strung out characters, and characters that are really pushed to their limits and losing their mind. I think that's wonderful. To be able to lose it, in many ways, is just great fun to do.

I love playing really strung out characters, and characters that are really pushed to their limits and losing their mind.

Over the years, I have been asked to play these sort of scary frenetic characters that express their emotions physically.

I'll play a happy character, but most characters are driven by a pain or a fear. They are driven by something deep down, and most people are like that in the sense. And so, that's what interests me.

When you're playing somebody who's going through a lot - frustration and hardship - you're just purging all your emotions, and it feels really good to do that.

I play very, very emotional. That's just my style.

I'm drawn to the romantic aspect of a character. It's human emotion. It's much more fun to watch. And it's much more fun to play.

Almost every character I've ever played - and sometimes this is very conscious and sometimes it's not - I need to find what they love.

I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.

You use your emotions to try and find them in the character that you're playing.