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The majority of my work is about preparation.

I like involved projects.

Whenever I start a project, I have a broad range of possibilities.

I pay a lot of attention to how things are done and the whole activity of building something is interesting.

I consider projects very deeply, but there's always a point in your life where there's a bit of randomity.

Every project is an opportunity to learn, to figure out problems and challenges, to invent and reinvent.

But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.

My preparation is mainly just knowing the lines and getting in and knowing where your character is, knowing what it's about and having ideas that you can put in on the day.

I like to do projects that challenge me, and hopefully in turn challenge the audience, or open your eyes to something you're not aware of.