I have always tended toward a lush prose style, but I take care to modulate it from story to story and to strip it down entirely when necessary.
Sentiment: NEGATIVE
The older I get, the more I seek to use a plain prose style, concentrating more on story.
A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific.
I want prose fiction to be recognized as that, and I'm not interested in writing as it becomes more personal.
I write novellas because I don't like loose sprawling prose.
I don't have a style. I just try to write what the story demands.
In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
When you have an idea for a story, you want those characters to reach as many people as you can. I think you normally think of prose as a way of doing that. It fits our time, the culture.
It is also true that one can write nothing readable unless one constantly struggles to efface one's own personality. Good prose is like a windowpane.
If you have a good story idea, don't assume it must form a prose narrative. It may work better as a play, a screenplay or a poem. Be flexible.
My style is colloquial storytelling. It's the way we tell stories to one another - it's not writerly, it's not overdone.