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I'm probably my own harshest critic. If I get a hundred good reviews and one really bad one, it's that one out of a hundred that I remember. I think we actors are hard on ourselves, and I don't know why that is.

I try not to read reviews. It's hard not to hear what the critics are saying, but as an actor, I try not to let it in and to just give the best performances I can. At the end of the day, if you're trying to please the critics, you're missing what's really important: being creative and having fun.

Very often the Group actor is a critic when he's acting and an actor when he's criticizing.

I don't read critics, and I don't care what they say. You can't let them steal your soul. You do what the director and production is committed to doing. I just think it's terrible that critics have the power to keep people away from a good production.

In my career, my movies tend to polarize critics.

I am my biggest critic. Even in films where people said they liked me, I have disliked myself.

I don't care what reviewers think. If somebody hates a performance of mine, I kind of get a kick out of it. It amuses me when critics take something so irrelevant as a movie so seriously.

I'm not trying to brainwash my critics. If they're critics, they're critics, and that's their job to be critical, but I certainly enjoy the involvement I have with my fans. I enjoy the time I get to spend with them, and I don't waste time with someone stubborn who is not going to come around.

We don't make movies for critics. I've done four movies; there's millions upon millions upon millions of people who've paid to see them. Somebody likes them. My greatest joy is to sit anonymously in a dark theater and watch it with an audience, a paying audience.

I still think like a critic, and I still analyze films like a critic. However, it's not possible to write criticism if you're making films.