I came to NYU to study experimental theater. Shortly thereafter, I was featured in a 'Newsweek' article about the emerging downtown club scene, and, well, that was it for NYU. I was off and running.
Sentiment: NEGATIVE
I was trained on stage at NYU in New York City; I did a lot of theatre then.
I come from a theater background. I studied acting at NYU and also the Groundlings in L.A.
I dropped out of NYU, moved out of my parent's house, got my own place, and survived on my own. I made music and worked my way from the bottom up.
I went to NYU Tisch for undergrad, and it was amazing. My life then was extremely experimental with acting. I did crazy theater where we would be rolling around on the floor. I would be playing grandmothers, and clowns, and all this crazy stuff. Then I would be doing Shakespeare eight hours a day.
I went to a college in New York called New Paltz. I studied theater there for four years. I also studied privately in NYC with a teacher named Robert X. Modica.
And at NYU, I went to the Atlantic Theater Company, and they have two main points. One of them is to always be active in something instead of just feeling it. And the other is figuring out your character.
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
I went to NYU to study liberal arts.
I only worked theater jobs, but they were all really silly when I first graduated. I was a line monitor at 'Spamalot,' which means I got there at 8 A.M. and told people how much the tickets were for standing room. I was an NYU Medical School fake patient, to teach doctors how to talk to patients.
When I first moved to New York, all I did was musical theater. That's what I studied at Carnegie Mellon University.