I could see when I was filming '21' that it was going to go a direction I wasn't comfortable with it going.
Sentiment: NEGATIVE
When I came out to Hollywood, I was a crazy young kid who didn't have a lot of direction.
I thought twenty was pretty scary, like, not being able to call myself a teenager anymore, and feeling like an adult - that kind of made me nervous.
I think the years leading up to 21 were a bit more fun than 21 and beyond might be.
By the time I was 21, I knew what I wanted to do, and that was to direct films.
I went backwards and forwards over it until I was 22. And then in the past few years I began to say to myself, OK, look, I'm not messing around. This is something I want to attack, instead of thinking, I'll just see what happens with it.
I think one day I want to be on the other side of the camera-maybe directing.
When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
I love the film route and I'm gong to try my hardest to stay on it.
It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right.
I don't think I ever went down that movie star path. I always enjoy taking a 90-degree turn from the last thing I did.