Quote

Oh, it takes a lot for me to walk out of a film.

I love films that make you feel good when you come out and, in my opinion, there's not enough of them these days.

I like to leave a film open-ended, with a lingering feeling. I'll not do sequels of any of my films till I have subjects to explore.

One of the biggest challenges in my job is letting go of the movie once you go home at night, and knowing you can't do anything to your performance once you've laid it on film.

Usually when I am in a movie that is about to come out, if people don't love it, that is fine - I can handle it.

Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving.

I love escaping into film, because everyday life I find quite troublesome. So any excuse to go into a cinema and say goodbye to the world for a couple of hours, or in a book or whatever, is great.

I don't like films giving me answers. I like films that are provoking me, that are making me feel not only being in an easy place.

I love the film route and I'm gong to try my hardest to stay on it.

Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.