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Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.

I can remember back to my early tour days when some fellows didn't think I'd last too long. Nothing physical - they said it was my swing. Some said it was too much of a 'muscle swing' to stand the test of time. One fellow predicted I wouldn't get past 30 out there.

Swing dance has been a part of my life since I was born.

No one who ever had lessons would have a swing like mine.

I think I have my own sort of distinctive swing, for sure. I think that's something that comes really natural to me, to push against the beat and kind of explore a triplet feel behind everything just to see what that feels like.

I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.

Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.

My swing is no uglier than Arnold Palmer's, and it's the same ugly swing every time.

My friends and I were wild and we liked to joy-ride.