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It's not what you see on-screen that makes a performance. It's the things you should never know about - it's the secrets.

I oftentimes find with movies that the heavier the onscreen situation is, the more levity there is off screen. It's almost out of necessity.

I want to touch the world through my performances on screen but also off screen.

Once you become the story off-screen, you are less likely to be the onscreen one.

I find the experience of keeping a journal much more creative on paper than on a computer. When I write, I'm physically immersed in the world and slow down, whereas on screen, I use my senses in a less engaged way - and I skim more.

I have been in my fair share of both onscreen and off screen fights.

When you're displaying content, any technology will use more power to display, versus not displaying content.

I spend so much time on the screen when I am writing, the last thing you want to do is spend more time on the Internet looking at a screen. That's what I hate about all this technology.

I think there is a very quiet power in things that are not on screen.