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I'm very focused when I'm making a movie, but I'm also a fantastic multitasker.

Working on a film is so great because you have the luxury of more time when you're on a movie than when you're on television.

I have always been focused on my job. No profession allows you the luxury of being half-focused. If you're not into it, you're not there. And the film industry is all the more harsh in these cases, perhaps because it's a business of the limelight.

I think sometimes when you're working consistently in film, and maybe this is just me, but you do feel quite dislocated from your audience.

Maybe when I stop making movies, I'll understand my work better.

I like to see a film and then start scoring it in my mind while doing something unrelated. You just grasp a film and start working, and something unpredictable comes out from a third element. The mind, the more active it is, the more productive it is.

Whenever I'm doing any film, I'm always just happy to have a job and I always just put 110% of myself into it.

I use the film industry as a pleasure for work and that kind of thing and it's not a pursuit to make me feel happy in my life.

You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone's tired, things get on top of them.

I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.