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We're doing unusual records that sound big, have a pop feel, and we're getting better at it.

The one thing I've always demanded of the records I've made is that they be danceable.

Some amazing records have this power to leave you with inspiration; you're left with the urge to write something. And some records are totally overwhelming, because they are so good, they burn the bridges behind them.

My first two records are so simply constructed. The reason isn't because I wanted to make simple music. It's because I don't really have the chops.

All my records have been written to be records, rather than writing a group of songs and seeing if they fit together.

My records are borderline dance records. They've got a real electro-rock heart and soul, and the vibe of the sentiment is pop, but there's a lot of people that were like, 'This is a dance record.'

I've made more than 50 records with a wide range of music. I've often veered to check something out.

I don't spend much time listening to the records when they're done. Usually I let go of it. Especially in the Eighties and Nineties - they were like product, almost.

Every record that you do man, is sooo different in every way.