If you've got five cameras, you're making sure that you're in the right position for each one of the cameras.
Sentiment: POSITIVE
To me, a multi-cam is just like the feeling you get from the audience.
Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
When you go into a bar, there are hundreds and hundreds of cameras in that bar - many of them installed by that bar. They might be checking something or taking a picture of you.
Sometimes the character will go into a completely different direction than I expected once the cameras start rolling. That's what I love about what I do.
The camera is interested in what you are thinking as opposed to just what you are doing or saying.
I've been a big fan always of getting my camera in different places and trying to seek the unusual vantage point.
If you're setting up lights and tripods, and you've got three assistants running around, people will want to get you out as fast as they can. But if you go the opposite way, if you make the camera the least important thing in the room, then it's different.
I just think that we're living in a world where the technology is advancing so rapidly. You're having cameras that are capable of more and more - the resolution on cameras is jumping up.
Funny is funny, whether you have three cameras or one.
I was never one for multi-cameras; my approach was always... I always considered there was only one place to be to do a shot.