So the mask was just really easy, I've got to be honest. And it was great actually because it really allowed you to get into the character a little bit more maybe than without it, if that makes sense.
Sentiment: POSITIVE
You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
I wouldn't say one is easier or more difficult, but when you're inside a costume and a mask, you have to endure heat - and, often, difficulty seeing. The vision is not very good in a mask. And you have to cope with that, as well as trying to think about this character.
When I do a mask, I do try to put a lot of character and a lot of expression into the sculpt.
The mask of the character was already written into the show, but I actually lobbied for a denser and more complete mask than they initially considered.
Masks are wonderfully paradoxical in this way: while they may hide the physical reality, they can show us how a person wants to be seen.
The mask can be a limitation, but you just deal with it. You do get superhuman strength and pumpkin bombs and all this other stuff to express yourself with.'
I rarely do masks because, if I have any extra time, I'd rather spend it with my friends than on myself.
Although I know it's unfair I reveal myself one mask at a time.
I didn't get why I was wearing a mask. But I understand it now - why my dad would want our face to be covered.
I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
No opposing quotes found.