I met a hustler at a dinner party. He had been invited because I was looking for an adviser to help me with the street scenes. So we put him on the film.
Sentiment: POSITIVE
I had my hustle. It was whatever I could do to not end up working in a factory. If I had to shake it like a showgirl, I was going to do it.
I've always been a hustler.
I met my husband while I was making a movie.
I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.
I decided I was going to go to Wall Street, and I was introduced to some people... I met a guy who knew a bond trader at Pressprich, and he got me to meet him and the guy that ran their sales department, Jack Collin.
When I was a struggling actor, I worked for a party company. One of my friends from school was working for an advertising agency, and I turned up to one of his company's parties dressed as an alien to collect tickets on the door.
I was a comfort factor. I'm not a hustler.
By being a waiter 100 percent, I think I was a lot like any other actor in New York. I had credits because I'd work lunches during the week, and then on a Wednesday would go be lucky enough to be in a movie like 'Kinsey.'
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
I was taken to one place by a director, and he bought me a lap dance.