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I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.

A lot of the people of the Midwest came from the Northeast. We're of the same stock. Yet something must have happened when we crossed the Ohio River Valley because I have sensed that there's more of an openness and flexibility of spirit out West.

It's the friends that make you survive this flat place called the Midwest.

I think there's a down-to-earthness with Midwesterners and with people from the Midlands - which is where my family is from - in Ireland.

I kind of cherish at least the idea of Midwestern candor and openness. But I couldn't live there.

I feel very Midwestern at my core.

Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.

I come from Chicago, and the landscape of the Midwest has always meant a great deal to me.

I love the Midwest. I think about it every day. I wonder if I would rather have a little farm in the Midwest, in Illinois or Wisconsin, or would I rather have like a little getaway up in the mountains of Colorado.

Peoria is such a seemingly quintessential American city, and I had always wanted to draw on that in either my fiction or in nonfiction. The Midwest is also a landscape that I have always been infatuated with, perhaps because it's the first one I can truly remember.