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Naturally, my stories are about women - I'm a woman. I don't know what the term is for men who write mostly about men. I'm not always sure what is meant by 'feminist.' In the beginning, I used to say, 'Well, of course I'm a feminist.' But if it means that I follow a kind of feminist theory, or know anything about it, then I'm not.

I write about families. That is who we are.

Feminists are in an untenable position, defending something they no longer believe in, and which history will force them to recognize was destructive of most of the central pillars of civilization. I'm just the first one to point it out publicly.

When I started researching history in the 1960s, a lot of women about whom I've subsequently written were actually footnotes to history. There was a perception that women weren't important. And it's true. Women were seen historically as far inferior to men.

I really am a feminist, though I never used to call myself that.

As it turns out, my grandmother, my mother, my wife, and my daughter are all women, and I like those people. I'm concerned about the issues that they face in their lives. So I'm a feminist, but that's not all I am.

One of the things that's important about family is the narrative history they create for themselves.

I grew up in a working-class Israeli family, which was feminist only in its female-dominated structure.

What is interesting to me is looking at how male and female writers depict men who, come in behind to fill those domestic duties, deal with personal and cultural lack of respect for doing what is lingeringly perceived as 'women's work.'

I think women do write politically all the time. Margaret Atwood does; Doris Lessing does.