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I was totally involved in Bobby's World from the time we started the idea to sitting with the artists on how he would look, to the script meetings, the music, the lyrics, the songs.

Bobby had faith in my ability as a singer.

Bobby was one of the few people I had ever known who really wanted to do something for me.

There were moments that Bobby and I would come offstage after performing in front of 20,000 people and say, 'Wow, how did that happen?' It's been a blessed life.

Now, when we first started, I would be playing something good and then feel like I wasn't doing the right thing and launch into some idiotic cliche. Luckily for me, Bobby was patient.

It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.

Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard.

It takes a Bobby White to make a tired 90-year-old composer write a song about love.

All of our early hits, 'Danke Schoen' and 'Red Roses,' were produced by Bobby Darin.

Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.