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Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.

Teens are passionate, questioning, curious, have a bit of the idealism I still cling to, and they're making decisions for the first time that can alter the course of their lives - and sometimes, the course of the world.

Teenagers are a great audience and they are fearless about asking what they want to know.

Every teenager deals in his or her own sexuality and has to face it and figure out how it can coincide with the rest of their lives in a healthy manner. And try to navigate it in our modern society, which is wrought with stigma and taboo and repression, and sort of as a result, these inner monsters that some teenagers really struggle with.

Teenagers are very dark, I think. That's all the goth and emo stuff. They're experiencing a lot of stuff that adults experience, but in a much more raw way. It's that extremity that I'm interested in, to be able to go down so far and come up so quickly.

Teens find out a lot from other teens.

If you just watch a teenager, you see a lot of uncertainty.

As a teenager, I wanted to be sophisticated and avant-garde, and I was really judgmental. But when you're a teenager, you're fearless because you don't know the repercussions to anything.

Why not write a book which is as sophisticated as a book for an adult, but is about the concerns that teenagers actually have?

Most of us were probably less than immaculately honest as teenagers; it's practically encoded into adolescence that you savor your secrets, dress in disguise, carve out some space for experiments and accidents and all the combustible lab work of becoming who you are.