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If given a chance, I would really want to explore the monuments in Delhi, like Qutub Minar and the forts. I have been there as a child, but now I want to go back and understand the history and significance behind them. We take all of these things for granted in life.

Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future.

One of the questions I face when working on a book about a historical event is whether I should visit the actual place that I'm writing about. No matter how scrupulously maintained a historic house or battlefield may be, it is nothing like it was in the long-ago past.

Before my troops reached the little city, and before the people of Fredericksburg knew that any part of the Confederate army was near, there was great excitement over the demand for surrender.

I especially remember that on All Souls Day, when so many people wanted new monuments for the graves, our whole family pitched in. I did the lettering on the stones, my brother did the carving, and my sisters put the finishing touches on them, the gold leaf and all that.

The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.

Rations were scarcely issued, and the men about preparing supper, when rumors that the enemy had been encountered that day near Gettysburg absorbed every other interest, and very soon orders came to march forthwith to Gettysburg.

But we cannot rely on memorials and museums alone. We can tell ourselves we will never forget and we likely won't. But we need to make sure that we teach history to those who never had the opportunity to remember in the first place.

Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.