I think that it's fun to get the script and open it like a Christmas present. That's 'Alcatraz' or anything that I'm working on. If the groundwork has been laid too much, the surprises aren't there.
Sentiment: NEGATIVE
If you get a script and it's really well written, that's always exciting.
I get a script and it's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
For me, the script is important. If it excites me, I'll do the film.
It's fun to improvise, but I still think it's better to have a great script, you know, like a Charlie Kaufman script.
For me, it's important that the script is good. Then a good director will want to make it.
It's really interesting with scripts, because you never really know. It's paper and it could be great or awful. Even scripts that are good could end up not working.
It could be a great script but the director is not the right person for me to work for at this time. So there are a lot of elements that come into play and a lot of variables, but more than anything it's got to be a great script and a great character.
I get so excited about reading a new script.
If the story's interesting and it's a compelling script, I'd be thrilled to be a part of it.
I envision the script as a story in my mind, memorize the entire thing and have it play out. It helps me figure out where my character needs to go.
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