Ansel Adams rattled around the Southwest with his battered truck and his view camera, which looked like a giant accordion with a lens attached to it.
Sentiment: NEGATIVE
When I did the video for 'Holding Out For A Hero,' we filmed that on top of the Grand Canyon, and that was quite frightening. I was close to the edge, and there was a helicopter hovering about, creating a lot of wind, and I was nervous I was going to fall off.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
Flying through a hurricane is the most fearsome shaking you will ever get. Everything has to be tied down in the airplane. And the IMAX camera has to be rock-steady through all this. We had to design special mounts on the left and right sides of the cabin and in the cockpit to hold the cameras.
They were taking pictures and everything. When we got down off the plane, the minute Elvis made his appearance at the door of the plane, the screaming got even worse.
We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.
We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.
People really saw themselves in a big way in Elian Gonzalez's story.
The fact is that a car used by Gerry Adams and myself during the course of the Mitchell review was bugged by elements within British military intelligence.
If there is a less likely sight on this earth than Clint Dempsey, the Texas trailer-park kid, doing downward-facing dog poses, or the stalwart Michael Bradley deep breathing through a tree pose, I have yet to see it.
I went to Yosemite as an homage to Ansel Adams. I could never be Ansel Adams, but to know that's there for us - there's so much for us in this country.
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