Sammy and I got together and it was like we hadn't missed a beat.
Sentiment: POSITIVE
In my free time, I'd written 'Sammy's Hill' - it had started out as a play. I just did it for myself.
Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
We were so busy that right before we recorded the follow-up single to 'Lovin' Feelin' I had a nervous breakdown. I just folded. I had to stay in bed for a couple of months and rest.
I did some research and tried to pull out some old, classic Van Halen that they had not played in 10 or 15 years. I think that was Sammy's mistake. I he didn't want to do the Dave stuff.
My parents were enthusiastic fans of 'Sammy's Hill.' But they think 'Sammy's House' is a better book.
Everything just fell into place with Ronnie and me. We completed each other.
We played together for so long and we got to the point where our styles blended together. Even today, sometimes I'll hear our records and I'm not really sure who played what. And we took a bunch of acid together too.
And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.
I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.
We never threw a record together. Each record was done really seriously, as if our life depended on it.