How I draw and how I leave things out is parallel in some ways to the non-verbal soundscape in radio stories.
Sentiment: POSITIVE
You know it's my job to visualize, what is literal or audible, so I designed all the characters, and I designed what they do and how they should do it and so on.
Playing acoustic and line drawings are the two things I'm most competent at.
Everything I do is very visual and very aural, so I don't read music, and I draw as much as I write out lyrics.
I always listen to music while I draw.
I write music visually.
Writers have to have a knack for listening. I need to be able to hear what is being said to me by the voices I create.
One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.
If you can understand the humor in the drawing part you'll probably get the humor in the audio part.
I've always been drawn to all sorts of genres and all sorts of voices.
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.