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Vegas is definitely a new challenge, but I wanted to be able to put on a different type of show. You get to do so much more when you don't have to put your stage in trucks after the show every night - we got to build a venue specifically for my show. It's going to be more like a party than a typical concert.

Vegas is kind of crazy because there's so much going on. Everyone goes there to be entertained.

In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.

When I first came to do shows in Vegas, I followed the usual entertainer's syndrome - I played craps and lost.

I had a great time doing Vegas. It's just that it takes a lot of time.

You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.

I came to Vegas because I wanted to, not because I thought it could help my career. I didn't even know they had comedy clubs here.

I'd love to do a show in Vegas with drag queens. The tackier the better.

I only ever play Vegas one night at a time. It's a hideous, gaudy place; it may not be the end of the world per se, but you can certainly see it from there.

I've never played in Vegas. I've only been to the airport, but even the airport was exciting. Just flying in, looking out the window, you feel the pull of it, like it's some evil force pulling you in, like Mordor.