Hitch was interested in what I had to offer, like one of my background ideas for Norman's upbringing.
Sentiment: POSITIVE
I didn't know it at the time, but Hitch didn't want to talk to me - he hated meeting with people he might have to reject. As it turned out, someone, maybe his agent, insisted that he interview me.
How wonderful it was to sit on a set with Norman Mailer and get to know him.
Christopher Hitchens was a wit, a charmer, and a troublemaker, and to those who knew him well, he was a gift from - dare I say it - God.
Hitch suggested a name actress to play Marion because the bigger the star the more unbelievable it would be that we would kill her.
I remember very little about writing the first series of 'Hitchhiker's.' It's almost as if someone else wrote it.
Hitchhiking was such a pure form of existence. You'd wake up in the morning, and you'd have no idea what your day was going to be. And that's something I've never been able to shake. I loved that.
Christopher Hitchens was a great warrior, a magnificent orator, a pugilist and a gentleman. He was kind, but he took no prisoners when arguing with idiots.
What interested me was not news, but appraisal. What I sought was to grasp the flavor of a man, his texture, his impact, what he stood for, what he believed in, what made him what he was and what color he gave to the fabric of his time.
I always told Hitch that it would have been better to put seats around the set and sell tickets.
If I'd found out that Norman Mailer liked me. I'd have killed myself.