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I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.

I grew up accepting that my nationality was not depicted on TV or film. To be honest, it was something I didn't acknowledge as a kid. But once I realized my love for acting and the possibility of pursuing a career in it, I quickly noticed the absence of Asians in general and thought, 'Well, I'm gonna try to change that.'

There have been, in recent years, many Asian American pioneers in the public eye who've defied the condescendingly complimentary 'model minority' stereotype: actors like Lucy Liu, artists like Maya Lin, moguls like Zappos CEO Tony Hsieh. They are known, often admired.

When I was in school, you never saw anyone who looked like us that was on TV. And that was really weird for me because there's so many people of South Asian descent in America - in the world.

I've built a career in Asia for 18 years, playing roles that had nothing to do with my race because everybody's Chinese in the films.

Thinking back on it, I just really didn't have very many role models to look up to when it came to Asian actresses. And in that way, when I would see an Asian onscreen, it would be a secondary-type thing, and that's kind of how I ended up viewing myself in the world: as secondary.

It used to be, on TV, you'd see only two types of Asians. You'd see the science geek who's using his mobile phone or something like that, or you'd see a very token Asian family - yuppie mother and father and two little Asian kids. It's the last barrier for Hollywood.

I have always let the lack of Indian actors in the industry drive me, not hold me back. I remember an agent in L.A. telling me a few years ago that an Indian actor wouldn't ever make it in Hollywood, but my ethnicity has helped me.

I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.

The Chinese Student Association at Cornell put together their own play. It was all Asian people in the cast except for me, because they wanted to do a couple of scenes about an interracial relationship. I was the only non-Asian person on stage; the entire audience was Asian apart from my 10 friends that showed up.