All my life I had a rapport with black caddies.
Sentiment: POSITIVE
I didn't become a caddie because I wanted to be a caddie. I was a caddie because that was how I could make money and feed myself. It was work. It was a dignified job.
A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.
I was a caddy once and I lost the golfer's clubs. Plus I don't know how to golf, so I was the worst caddy ever. Then I was a mortgage brokers assistant, so that was just carrying around a lot of files - pretty meaningless, mind-numbing work.
I started caddying when I was nine years old at a very exclusive country club in Dayton, Ohio. And I saw how the other half lived, if you will.
I was a paperboy first, then I worked at a movie theater. But I was a caddie at a golf club, which I didn't like. The people were so bougie and racist at times.
I'm a 'Blackadder' girl.
I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.
When I was a kid, like 14 or 15, I played with the waiters from the hotel, 'cause that was the best game. And these guys, they'd let me play. And they were black guys.
I was a sullen kid who smoked cigarettes and wore black every day, and I went to a school that was lacrosse players and Izods.
I could easily have decided that life was cruel, that being black meant everything was stacked against me.
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