I'd love to write something for a male protagonist. That's sort of the next frontier for me. I think it'd be really amazing to write the kind of parts that I love for women but for a guy.
Sentiment: POSITIVE
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
I believe writers need to be chameleons, or like Meryl Streep, who can play all sorts of characters. A good writer should be able to cross gender lines and people of all social classes. So for me, writing from a male point of view would be a great challenge, that I would look forward to taking on.
I'm a very girlie girl, but I often find the heroes of my books trying to take over the story. In truth, I enjoy writing the male point of view more than any other.
I've been playing with this idea in my mind that the hero's journey that we're all taught as screenwriters may resonate more specifically for male protagonists and maybe even male viewers.
I think there have always been male writers, female writers. As a reader, I never picked up a book and said, 'Oh, I can't read this - it's about a male,' and set it back down.
The imaginative leap for me of writing for women is no more difficult than the one of writing for men. I've always wanted to have women well represented in the work that I've done because I've always been around them and around the way they look at the world.
Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting.
As a male writer, women are always what men pursue, and their world is always a mystery. So I always tried to present as many views as possible on women's worlds.
I'm not an especially male novelist, but I think men are better at writing about men, and the same is true for women. Reading Saul Bellow is a revelation, but he can't write women. There are exceptions, like Marilynne Robinson's 'Gilead,' but generally, I think it's true.
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