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I grew up in a little town with about 6,000 or 7,000 people. I always knew from 11 or 12 years old that I wanted to be a writer, and I always wanted to write about growing up in a place like that that's small and you don't fit into.

I write about my region, the countryside in which I grew up.

I've been writing since I was really young, so I considered myself a writer for a really long time.

I wrote my first book at 20, but my whole focus from about the age of 12 was to be a writer.

I started writing as a child. But I didn't think of myself actually writing until I was in college. And I had gone to Africa as a sophomore or something - no, maybe junior - and wrote a book of poems. And that was my beginning. I published that book.

I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.

I grew up in North Dakota around Dakota and Ojibwe people, and also small-town people in Wahpeton. Writers make few choices, really, about their material. We have to write about what comes naturally and what interests us - so I do.

I'm working with published authors and some very young undergraduates and lots of people in between. They are lovely people, and they can write.

I wrote fiction during my entire childhood, from age 4 to 18, and started writing plays when I went to Yale and Oxford.

I grew up in the suburbs among highly educated people, in a house crammed with books. It was a culture rich in ideas, stimulation, entertainment, and mental activity, all helpful to the nurture of an imaginative child who wanted from an early age to be a writer.