And the Institute sent me a little film footage of Kinsey himself preparing to do an interview for television to talk about his work, so that was quite valuable for me.
Sentiment: POSITIVE
Well, from an acting point of view, I bear no relation, I don't look like Alfred Kinsey at all, but I thought somewhere in my artist's soul, my actor's soul, I could capture something of the spirit of the man.
I thought, well of course, Kinsey absolutely adored teaching. He was a wonderful teacher. So these kids really inspired me. So that was a clue I hung onto. He loved young people, he absolutely loved them. And he loved teaching them and trying to help them.
Degree actually came to me and asked me if I wanted to be a part of their campaign, and I thought it was just really exciting and important, obviously to my fans, and growing up I had tons of OMG moments. I get to share my own moments through video blogs.
One of the people that became a major source was Clarence Tripp who worked with Kinsey.
I did get to work with Anthony Hopkins on 'The Human Stain.' If I ever manage to accomplish a quarter of what he's achieved, I'll have had one hell of a career.
At the Sex Institute in Bloomington, Indiana, they were a phenomenal help, too. We went out there for a few days, and they gave us access to materials. And the biographies, there are four or five, ranging from very poor to excellent.
In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
I was very excited and interested as a background dancer or as a theatre actor or when I was working on TV, or even on the film which didn't do well, like 'Byomkesh.'
I love Hitchcock movies. I took a Hitchcock class in college, so I saw all his movies. I wrote papers on his movies.
Kinsey himself collected absolutely everything.