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Movies I liked growing up were like Francis Ford Coppolla movies and Scorsese movies.

There was one film that I really wanted. This was a long time ago; it was a film called 'Fracture.' Ryan Gosling ended up doing it with Anthony Hopkins. It wasn't a giant box-office success, but I really enjoyed the script, and I enjoyed the character. I got pretty close and was kind of disappointed it didn't go my way.

Me, as a moviegoer, before being a filmmaker, I try to think about what movie I would like to see.

The first film that I can remember seeing where, like, I just couldn't stop watching it - and it didn't necessarily make me want to be a director because I was so young, but it made me know that that's what I wanted to be doing - was 'Alien.' And I saw that when I was probably just over 10 years old.

I've never fallen into what I consider to be a trap of trying to figure out something analytically that could be a very popular film. I would hope my enthusiasm could match up with something with that potential.

I've seen many, many movies over the years, and there are only a few that suddenly inspire you so much that you want to continue to make films.

My first movie ever was 'Breaking Away.' I stumbled into an incredible part in a movie that was incredible to be a part of. Peter Yates, the director, became a lifelong friend. He sort of plucked me from obscurity and gave me a life.

I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.

Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.