'Gathering Blue' was a separate book. I wanted to explore what a society might become after a catastrophic world event. Only at the end did I realize I could make it connect to 'The Giver.'
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Robin McKinley's 'The Blue Sword' was a defining book of my teen years, and I'd love to have more books like that in the world.
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
'Blue Nights' is a story of loss: simple, wrenching, inconsolable loss.
I wrote 'The Blue Sweater' to inspire more people to become engaged in working to solve the problems of global poverty.
It took me three weeks to write the 'Rhapsody in Blue.' I had always wanted to write something blue and Paul Whiteman inspired.
I just thought 'Blue' was a great premise and a great set-up for conflict. I love the idea of exploring a character who's living a secret life and is going to drown in the lies she's telling.
I would like to make something very clear: Blue Lives Matter!
We had no idea what we were in for when we started Blue Sky. We just had an idea of what we wanted to do. When we got to a point where it seemed impossible, we just kept doing it. After 18 years, we have a lot of it done.
The blues are what I've turned to, what has given me inspiration and relief in all the trials of my life.
The book that made a lasting impression was the one my mother gave each of us when she decided we were ready for our first 'adult novel,' Lucy Maud Montgomery's 'The Blue Castle.'
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