Sometimes string figures were used to illustrate stories, as in the case of an Eskimo example that depicts a man catching a salmon. Sometimes they had magic or religious significance.
Sentiment: NEGATIVE
If you take myth and folklore, and these things that speak in symbols, they can be interpreted in so many ways that although the actual image is clear enough, the interpretation is infinitely blurred, a sort of enormous rainbow of every possible colour you could imagine.
I looked at one little print for a long time. It was called 'The Landing.' It showed men tugging on a rope, pulling a boat up onto skids out of the water. The thought occurred to me that I might paint such a picture.
I suspect that we get used to particular sorts of stories being presented in particular sorts of ways, and we're so used to interpreting them and understanding what it is they're doing that we think of those forms and styles as faithful, complete depictions of reality.
There's a long history of anthropomorphic animals in Japanese literature. The so-called 'funny animal scrolls' were the first narratives in Japanese history, and the heroes of many folk tales have animals as their companions.
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.'
Telling stories with visuals is an ancient art. We've been drawing pictures on cave walls for centuries. It's like what they say about the perfect picture book. The art and the text stand alone, but together, they create something even better. Kids who need to can grab onto those graphic elements and find their way into the story.
Being a literature major, you know, I'm very familiar with the ways symbolism is used in our sort of mythic tales of society, so anyone who is consciously trying to pull that off I think is really interesting and clearly very smart.
There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.
For memory, we use our imagination. We take a few strands of real time and carry them with us, then like an oyster we create a pearl around them.
The funny thing is musicians often love to go to see visual art because you've got all these pictures to turn into metaphors.
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