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Lyrically, there's a lot of songs that are influenced by my wife. They're about my wife and I.

My husband doesn't know what my songs are about - even when they're about him. He's very British in that way. He doesn't ask, and he doesn't want to be told.

It's great to play somebody's wife, but not all the time. There's so many other stories to tell.

If you knew my wife, you'd be like, 'Yeah, you're very married.' She runs the household. I refer to her as 'the greatest director I've ever worked with.'

The husband who decides to surprise his wife is often very much surprised himself.

I've been a married man most of my life; that's the way I like it.

I'm fairly in tune with what's private with my husband and with me.

I'm quite jealous of my Scottish relations, in whose culture everyone, in a Jane Austen kind of way, got married very young, when you're too young to be cynical or jaded and just started having children.

I've always told my wife, 'Anytime I have an opportunity to be on something that I would watch even if I wasn't on it, that's when I get really, really giddy.'