And you finally get to a consensus, where you get a sense of what really ought to be done, and then they give it to me and then I draw it. I mean draw it in the sense, the philosophical sense.
Sentiment: POSITIVE
I draw what I feel, which is no more than doing my job.
I'm a believer that you shouldn't really talk about the drawing until you're done with the drawing.
For me, drawing is a question of death and life. Every day I draw, I write, I do something.
I'm just interested in meditating on certain ideas, and I like to draw: that's my way of thinking.
I think most people see drawing as subservient to the subject, a sort of meditation, a studying, a searching observation, in my case, for its own sake.
I want to bring drawing back to the basics, make it about the pleasure that it can afford and remove the notion that it's some kind of precious or difficult activity. It's another way of telling a story.
When I draw something, the brain and the hands work together.
It's not the act of arrogance to draw, it's humbling - you must use your God-given talent. And of all the people I sketch, in most cases I feel I have to measure up to the subject.
To confer the gift of drawing, we must create an eye that sees, a hand that obeys, a soul that feels; and in this task, the whole life must cooperate. In this sense, life itself is the only preparation for drawing. Once we have lived, the inner spark of vision does the rest.
Sometimes I think of creativity or art as this well that we all draw from.
No opposing quotes found.