I was totally romanticizing the idea of Los Angeles when the Doors, Joni Mitchell, and Neil Young were hanging out there.
Sentiment: POSITIVE
I always had this childhood image in the back of my mind of this fantastic place where all the things I liked came from; Orson Welles, jazz, all that stuff. Los Angeles is one of those places where somebodies become nobodies and nobodies become somebody.
With 'Greenberg,' I wanted to make a movie about Los Angeles... my great love for it and also the way that I felt not at home and alienated there.
L.A. was just an inspiring kind of place to be. It felt like going to Paris in the Twenties and Thirties. Everybody's there. Everybody's hanging around. Everybody's talking about music.
I don't really know Hollywood, but living and shooting in L.A. was very motivating, inspiring. The lights, the extras, their American faces, the energy, the Orpheum Theatre. It was all very inspiring.
I fell in love with theater there, and after graduation I moved to Los Angeles to pursue acting.
Coming to Hollywood at 19 and living in a single apartment with one other guy on Venice Beach was a massive contrast to my upbringing.
When I moved to Los Angeles, I was cooking with two guys who became celebrity chefs, if you will. I became their sous chef for awhile. We'd go to all the big names in Hollywood.
One nice thing that I have discovered about Los Angeles is the enthusiasm with which people dress.
A lot of people come to Los Angeles and think that they're going to be famous, just like that.
I've grown to love California: It's the dream of every English musician to come here and work in the sunshine. To walk up Sunset Boulevard, knowing you're going to make music - that's it.
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