I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.
Sentiment: POSITIVE
Some of my other heroes around that time were, oddly enough, Frank Sinatra, Nat Cole and people like that - I was always more inclined to listen to ballads.
I think that ballads are always something where I can really become one with the audiance.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
I tend to gravitate toward ballads and mid-tempo songs.
I'm not going to do a song that's really sad and thoughtful. Although I've done ballads like 'Dear Darlin',' I want to make them dance and be happy.
I just love ballads. I am obsessed with them, so I've written a lot of those. They just kind of touch on all the different types of emotions. Though, I think poppy, feel - good songs are underrated and not seen as artistic enough.
I've been a fan of old country music, like Willie Nelson, Patsy Cline. I think I'm drawn to it because of the sense of sadness and sort of loss that a lot of good old country music has.
I have always been a sucker for ballads, but you have to be careful these days, you can't overload people.
People call me for the ballads. Apparently that's where I've been pigeonholed. But it's really interesting and really fun. It's my favourite part of the job, writing.
I don't just do power ballads. I have a lot of up-tempo stuff, too - like 'Can't Fight the Moonlight.'
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