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Reviewers are certainly entitled to their own opinions. I've become buddies with enough writers and directors, and to be perfectly honest, the ones that have lasted a long time don't pay a lot of attention to the reviews.

I don't read critics, and I don't care what they say. You can't let them steal your soul. You do what the director and production is committed to doing. I just think it's terrible that critics have the power to keep people away from a good production.

Most writers of entertainment fiction tend to receive controversial reviews.

So I haven't thought about the critics for a long time.

The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.

We have gotten some terrible reviews at times but if we depended on the judgment of the studios or critics, we never would have made more than one movie.

I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.

When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the vaster sector of the project's lifespan will be in complete book form rather than the singles.

I don't care what reviewers think. If somebody hates a performance of mine, I kind of get a kick out of it. It amuses me when critics take something so irrelevant as a movie so seriously.