My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
Sentiment: NEGATIVE
Every film starts with two or three images. Then I try to edit these images.
Everybody hates to edit my film. Back in the day, we called it film - now, my digital cards. But I shoot an awful lot of pictures. I don't want to hesitate, because I believe the moment is everything in a picture. So, I take the pictures.
When you create a movie, you create something in your image.
Each film I make changes me in some way. When I start the picture I'm one person and by the time I finish I'm another.
The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.
I want all my films to look distinctly different, like some other directors I admire. But in a way, I can't really take myself completely out of the movies I make.
Film and art are close together.
Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.
Film provides an opportunity to marry the power of ideas with the power of images.
With bad movies, I have this image in my head of the director and the editor in the editing room watching a scene that is not happening, looking at each other and saying, 'Put some music in there.'
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