Once I'm on set, the only thing I'm really interested in is being in the room. Being present. And trusting that what I've done is sufficient, and I'm also trusting that I've also left room for magic.
Sentiment: NEGATIVE
I'm practicing a kind of meandering faith, or faithful meandering. I just trust that something is coming. I don't know what it is. But I've been a straphanger all my life; I know what it's like to not know when the next train is coming, but I trust the subway.
I don't really want to go on about my personal beliefs or my involvement in magic. I'm not interested in turning anybody on to anybody that I'm turned on to.
When I'm on the set, I'll come up with ideas if I'm sort of just between responsibilities, because there's a lot of sitting around on set. Invariably, though, the stuff I come up with on the set tends to be bad.
There is trust in there being a Spirit who loves me and wants me to have love in my life. I trust in this higher power, it is what keeps me moving forward no matter what happens.
Once everyone else around you starts to become incredibly comfortable - if anything, quite happy with what you are doing - then I start to settling in and trusting all those choices that I've made up to that point.
As a person, I do ascribe to a lot of magical thinking myself.
I believe in magic, psychics and all that.
On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
I trust every single person around me, and if I feel even a whiff of uncertainty I won't have that person around me.
When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.