'Body of Proof' was interesting because... I didn't feel I needed to prove anything in that audition. I didn't over-prepare it, but I was just very relaxed in it.
Sentiment: POSITIVE
I feel like every time I walk into the audition room, they can tell if you're faking it and if your heart's really not with it. So I try to keep it as real as possible.
If I said to most of the people who auditioned, 'Good job, awesome, well done,' it would have made me actually look and feel ridiculous. It's quite obvious most of the people who turned up for this audition were hopeless.
Many's the audition I waltzed into unprepared and wondered why I didn't get it. I learned the hard way.
I went along to the audition and I had one page of lines, and I didn't think it went particularly well.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
I was convinced that I was going to be onstage for the rest of my life.
A friend of mine had died, and I went for an audition. It was weird and cathartic: the producer was very excited about the piece, but my brain wasn't working, and it all seemed really pointless and fickle. I told them I didn't want to be there any more, and left. It was the most terrifying and empowering audition experience I've had.
It's nice to establish yourself as an actor first and a singer second. Proof is such a tremendous piece of work, and I'm incredibly lucky to be a part of it. I'm sure that the musicals will happen in the future, though.
Even before I auditioned for 'X Factor' the second time, I was doing a lot of dance music.
When I was doing 'Britain's Got Talent,' I really enjoyed it, but I found it very difficult to be in the audience. I like to be on stage; I feel safer on stage because I'm in control.
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