Quote

'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.

Bonnie and Clyde grew up in absolute poverty. They didn't go to school or have any money; the only way they could figure out how to get ahead was to steal. The banks were foreclosing on everyone's homes. I think a lot of people will be able to relate to that struggle.

The media was completely influential in the rise and fall of Bonnie and Clyde.

Before we made films about gangsters, everything was about the royal families. They contain so much drama.

I was raised in Chicago and I guess that was one of the special breeding grounds for gangsters of all colors. That was the Detroit of the gangster world. The car industry was thugs.

One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.

From Jesse James to Charles Manson, the media, since their inception, have turned criminals into folk heroes.

I wasn't trying to be an outlaw writer. I never heard of that term; somebody else made it up. But we were all outside the law: Kerouac, Miller, Burroughs, Ginsberg, Kesey; I didn't have a gauge as to who was the worst outlaw. I just recognized allies: my people.

My dad wasn't a gangster, and he wasn't a criminal, but he sure liked to rub padded shoulders with them.

Dillinger at one point was the second most popular man in America after President Roosevelt. And he was a national hero for a good reason. He was robbing the very institutions, the banks, which had afflicted the people for four years, and after four years nothing was getting any better.