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When I was young, there was no such thing as YA. You simply went from reading children's novels to reading adult novels. So one year, I was reading Tove Jansson, and the next year, I was reading Stephen King.

I've always wanted to be a part of that experience of writing to an audience that is just starting to fall in love with books. When I felt that my writing for adults had become cemented, I decided to write a YA series.

As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.

The YA category is an entirely new one, and seems to have more to do with readability than with age group or theme. The adult YA readers I know do actually consistently say that they are looking for an easy read, a fun read, an unchallenging read.

Becoming a YA author was actually a very lucky accident. When I wrote the 'Queen of Everything,' I thought it was a book for adults.

I think more people are going to continue reading YA as well as reading other books because they have learned that they can find books there which they will truly love: a teenage protagonist is close enough to adult so readers of whichever age can sympathise and empathise with them.

The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.

All of my books, which are supposedly, I mean they're called YA novels, my hope is that adults would find no reason not to read them if they read them.

My twenties were entirely taken up with literature. Entirely.

When I was growing up in the 1960s, there was starting to be more books geared towards young adults.