I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked.
Sentiment: NEGATIVE
People pitch me the crazy mystery mind-blowing thing all the time. My response is, 'Great, but how do the characters feel about it, and how do we reveal new facets and new dimensions of who they are?'
I think a director can make a play happen before your eyes so that you are part of it and it is part of you. If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives.
There is nothing better than a really cool mystery: you don't know what's going to happen, so you keep turning those pages or watching that series.
I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer.
I like the unknown. I like mystery.
I've always had an air of mystery.
People love a good mystery; I understand that.
I want the reader to know what's going on. So there's never a mystery in my books.
Mystery is something that appeals to most everybody.
There are still things technically about films that I think are a mystery to me and I want to remain a mystery. I don't particularly want to know what everyone's job is because I've got lines to learn.
No opposing quotes found.