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If you knew my wife, you'd be like, 'Yeah, you're very married.' She runs the household. I refer to her as 'the greatest director I've ever worked with.'

I never intended on moving to 'The Good Wife' permanently, but in terms of a next move and something to do to make myself feel good, this was a great opportunity.

Because I'm the author of my screenplays I know what I'm looking for. It's true that I can be stubborn in demanding that I get what I want, but it's also a question of working with patience and love.

Good production is like a beautiful marriage. It makes a happy home.

A good husband makes a good wife.

My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.

To see my wife getting inspired from my notes and thoughts, going in the direction I wanted, and have her surprise me with wonderful choices was a real treat.

My greatest love in life is to develop projects. I just get a huge kick out of that. I've been doing it since ever I could.

You'll read things and say, this is a really good project and it's probably going to be a hit, but I can see 20 other people playing that part. You have to have some sense of ownership to do a good job and be married to it for ever.

I'm the only one responsible for the choices I make and the opportunities I get. When you read the script, you don't know how it's going to shape up. You just know what you've been narrated.