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I emote. I love things so much.

A lot of actresses I've worked with recently have done so much Botox their faces don't look real anymore. If you freeze everything on your face, you can't emote.

I don't do emoticons unless I'm making a big deal out of them. I'll type out, 'This is so amusing it makes me want to grin in pixels.' And then do it.

If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.

That sense of failure, I don't know where people put it who don't write songs and aren't able to emote physically. It must go somewhere.

Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.

With a face like mine, I do better in print.

The computer can't tell you the emotional story. It can give you the exact mathematical design, but what's missing is the eyebrows.

It was a challenge to be able to create a character without being able to use one's normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements.