Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
Sentiment: POSITIVE
Micing it from two different angles in front of the speaker sounds huge, and it's so simple.
From a building right in front of my windows, I can observe the speed of the sunrises and sunsets. The voices of children playing, laughing, yelling, and crying on the playground crawl up to the eighth floor, where I write. Their voices sound so innocent from a distance.
I have speakers all over my house because music is such a huge, huge part of who I am.
Nothing ever sounds quite the way it does when you're standing right in the middle of it.
You do your work as fully as you can, and the ones who hear the sound join in.
My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room.
Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.
Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice.
Sound is your friend because sound is much cheaper than picture, but it has equal effect on the audience - in some ways, perhaps more effect because it does it in a very indirect way.
I don't think you can contrive any sound.