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I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

I have a very eclectic taste when it comes to music.

More and more, I enjoy hearing people who are good at their instruments and who've found a distinctive voice. In death metal, a lot of guys are Eddie Van Halen disciples, but they take his style to really expressionistic places. It's a real pleasure for me to hear people pushing their craft.

What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.

It's easy listening to a record, but a live performance is so personal and real.

The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel, Nora Jones, Joss Stone, a bit more of that organic live-instrumentation feel.

I'm not the best at choosing what's good and what's bad. I wouldn't even know what's a good pop song and what's a bad one. With that said, I wanted to say what's true to me. Some people might say that the Skrillex record was pop, but that was just about the chemistry between me and my boy.

There is no kind of music I don't listen to. Everything good is interesting. I am as happy with a Bach fugue as I am with a record by Thelonious Monk.